ARTIST PROFILES: THE ENERGY CLINIC

Photos courtesy of Zane Miller Photography     

            Life gotcha down? Bummed cause you’re stuck, listening to the same old stuff on the radio (and music library)? Well perhaps you should take a trip to The Energy Clinic. This young foursome can take any drab room (or bar) and quickly fill it with colorful sounds of dreamy melodic progressions.

Zane Miller Photography

     Their music is kinda like an uptempo-ish rock with groovy and funky twists and turns - Does anyone remember ‘No Doubt?’ Ok, so think old-school ‘No Doubt,’ with early/mid Incubus progressive alternative rock styles. Now make it really well rounded and polyphonically arranged, and there you have it – the shit is bananas.  

 Zane Miller Photography

     The lead singer has an incredible voice with tons of character and emotion. It wasn’t until I got a copy of their recent recordings that I was able to actually hear the words she is singing in these dance-evoking tunes; and now I realize there’s a lot more going on here than pretty notes and melodies. The girl’s got some shit to say, so listen up.

Zane Miller Photography

      While you could easily spend a show lost in Steff’s vocals, the true meat and potatoes of the band, in my opinion, are the dudes behind the strings, Sam and Raad. Constantly countering each other’s rhythms and progressions, they create an elaborate, well-woven composition that demonstrates how well they are in-tune with their instruments as well as one another. Which then leaves the drummer, John, a hefty task of syncopations, drops, and tempo changes; but don’t worry, he’s no Ringo – this boy can rock his drum set, he just doesn’t always try to be as unnecessarily flashy as some other drummers.

Zane Miller Photography

   The Energy Clinic creates undeniably soul-clutching music, which makes each show an exquisite experience. I truly suggest you find their next show, and pencil yourself in for a musically-induced therapeutic jam session that will re-energize your mind, and probably get your body and soul movin’ (or, mostly likely in your ‘booty’ reigon). The Energy Clinic is a refreshing reminder that in a world of over-produced bullshit, there are still well composed bands with amazingly talented and creative individuals.

Zane Miller Photography

Zane Miller Photography

Zane Miller Photography

The Energy Clinic:

Steff Jeff – Vocals

Samuel Foley – Guitar

Raad Shubaily – Bass

John Bruno – Drums

 

For more info:
https://www.facebook.com/Energyclinicmusic

Zane Miller Photography

Special Thanks:
The Energy Clinic
Zane A. Miller

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ARTIST PROFILES: KARATE COYOTE

Written by Raad Shubaily

Pop music has many faces.  The collage of sounds Karate Coyote ties together to produce their signature synthesizer and effect-laden sound is a statement of that fact.  They put together different pieces of pop music’s past to create their own original style.  From pleasant synth lines to jangly guitar breaks, there are plenty of sounds to keep your ears entertained.

One of the aspects of musicianship that can be easily neglected is working as a team.  With a band like this, it could be easy to overplay because of all the different instruments and singers.  However, they fill out their individual parts perfectly without interrupting the overall sound. 

 The rhythm section is tight and neat, with melodic bass lines that tie everything together. The guitar breaks are slick, and the synth lines float tastefully over the choir-like harmonies.  Synthesizers can be a slippery slope, plenty of bands easily put layer over layer of synth and muddle down the mix, taking away the focus from other instruments.  This is not one of those bands, they know when to use it and when to hold back.

    Karate Coyote has been working for quite some time to forge their sound, which now seems to have been fully realized.  The 2010 release “Inner Animals,” their debut full length album, is a perfect snapshot of this sound.  It seems they’ve carved their niche, as there are really no other bands in town that resemble this eclectic and playful pop-rock group. 

The defining feature of Karate Coyote, I think, is their vibrancy.  Their music has a certain energy to it that seems unstoppable.  It’s like you could dance forever to their music and never feel tired.  I suggest you go out to a show, pick up a CD, and remember to bring your dancing shoes.
 

STAFF PICK: Raad’s 5 Favorite Karate Coyote selections:

1. Move Yourself
2. Ride on, Pegasus
3.Cooked Beats
4. Tornadoes
5. Spring Dirt Nerve

SPECIAL THANKS TO THE HOT 17 & KOBO for being wonderful hosts

 

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ARTIST PROFILES: THE GEORGE ELLIOT UNDERGROUND

Written by Raad Shubaily 

    There are a lot of rock bands in Columbus.  Of course, there are only a handful of truly great rock bands in town.  Without a doubt, The George Elliot Underground (G.E.U.) is one of them.

 
    From the way they craft dance-floor-ready anthems to their natural rock n’ roll spunk, they basically have all the required ingredients to extend the long standing traditions of rock music.  With a bit of Rockabilly in the mix, blaring guitar solos, melodically tight riffs and fancy dance moves, it’s easy to picture them playing in an arena. Their sound is so big that it almost belongs to be played in a large space.

   They’ve more or less perfected the art of straight ahead rock. A friend of mine described it perfectly, saying it sounds like “comfort rock,” like comfort food, but for rock bands.  Their songs are easily digestible and simply feel good as you’re taking it in.  Honestly, The George Elliot Underground sound as if they popped out of the late 70’s and onto a stage in Columbus.

 
    Whatever they’re doing, they’re doing it right.  For example, it’s shocking how many of their songs are available for immediate and free download off the Internet.  Not every band is like that, a lot of times you have to go through Itunes or Amazon to get a band’s music. It’s nice to see that their music is so easy to obtain.

     Going to a George Elliot Underground show is a lot like going to a party.  You know the music will be good, the booze will be flowing and it’s generally impossible to have a bad time. It’s incredible that bands like this still exist.  Right when everyone starts saying “the 80’s are coming back” or “that band has too many synthesizers,” G.E.U. one ups them all and brings good, old-school rock and roll. Synthesizer free.

For more info, check out:
http://www.thegeorgeelliotunderground.com

 

George Elliot Underground
Matt Zaborniak - Vocals
Marlin Kornegay - Guitar
Jeremy Browning - Guitar
Derek Ultican - Bass
Brian Mayes - Drums

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ARTIST PROFILES: NORTHWOOD PROJECT

Written by Josh Weiker

It blows my mind how many good bands there are in this city. Right when you think you’ve started to get a grasp on what the local music scene has to offer, a scattered mess of instrument aficionados congeal to create a new beastly monster of sound - that is precisely what happened in the case of Northwood Project.

            Lets just start with the obvious; when going to a live show, if you see more than 6 people on stage, you can place a safe bet that your ears will be ringing by the time you leave (i.e. - its gonna get loud). Well, this band has nine people … that’s right, I said it – NINE! For the record, that’s a guitarist, a bassist, a trumpet player, a keys player, a few saxophones, a drummer and a power-duo of vocalists that flawlessly blend the strong, soulful voice of Talisha Holmes and the rousing rhymes of Cast the Diety – so basically, take this as your warning: mic’s will be rocked, speakers will be blarring, and the booties will be a-shakin’.  

            Each song brings immense amounts of intense musical power. I was beside myself just listening to how this group moves with syncopated stops, drops, hits and grooves. What’s more, is how they, like so many other great acts, incorporate a wide variety of genres throughout their performances. While the most apparent style hovers around a very funky sorta hip-hop and R & B-ish vibe, you will quickly find yourself in the middle of a relatively heavy rock progression – I found myself double and triple checking the stage to make sure that it was the same band still playing.

            Northwood Project continues the great line of local-based, live-instrument hip-hop groups, with overflowing talent and creatively composed set lists unlike you’ve ever known to be true [see G. Finesse & the N.S.; the L.E.S. Crew; Stretch Lefty]. It is scary how good this band is, for how little time they’ve spent together. I highly suggest you keep an eye out for this group, and go see them at your earliest chance, and don’t worry, you can thank me later.

Check it out:

In BusTown’s latest collaboration, ‘The Oranjudio Sessions,’ we offer an up-close and behind-the-scenes look at some of Columbus’s most dynamic musicians from inside the recording studio …

(VIDEO) Northwood Project – “Let It Go”
http://www.bustownvideos.blogspot.com/2011/12/oranjudio-sessions-northwood-project_08.html

… this video features three of the nine members from Northwood Project, with guest sit-ins by Bustown’s own Evan Oberla (trombone) and Joey Gurwin (percussion)

Northwood Project

Talisha Holmes - Vocals
Cast the Diety  - MC
Jason Deran - Trumpet

Jack Menkedick – Alto/Bari Sax
Christian Secrist – Tenor Sax
Josh Altfater – Guitar
Kyle Maloney – Bass
Jake Rapport - Keys
Will Wells - Drums

 

Special Thanks:
Northwood Project
Scarlet & Grey Café 

‘Oranjudio Sessions’ Video captured and edited by Ginger Attack VideoProductions

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ARTIST PROFILES: DIRTY GIRLS

written by Josh Weiker

“I’m going to see Dirty Girls tonight – you wanna come?” The correct answer without a doubt or any hesitation should be a definite and immediate “YES!” Without even knowing what it is or what’s happening – simply having those two words in conjunction equates for what can only be described as the implication of a magnificent adventure. 

            Fortunately, if you dare venture out to see these dirty, Dirty Girls, your ear holes will be rewarded with a fanciful audial precession of hook-based, high-energy nostalgic rock tunes.  Reminiscent of 1960’s retro-Cali surfer-pop rock, this foursome will have you twistin’ and shakin’ all night long, as if you were hangin’ with the gang at the local malt shoppe.

            Perhaps it’s because every song they play is so damn catchy – but it can be really easy to get carried away rocking out and not even notice how well their songs are written. The lines jumping out of Jeremy Fina’s bass are abnormally melodic, not only for a bass player, but also a lead singer. Meanwhile, holding down the rest of the band’s merry-making melodies are guitarists Stefan Doke and Dennis Tanner; with Matt Whitslar (drums) providing the rhythmic foundation – keeping everything at a steady up-tempo pace. This group of party boys, known as Dirty Girls, blend their sounds with layers of hooks, riffs and progressions that are seemingly simplistic, yet undeniably enjoyable.

            So yes, the cat is out of the bag … Dirty Girls, are actually guys… but come on, the phrase ‘Dirty Guys’ just doesn’t have the same ring, ya know? (plus, its redundant) Nevertheless, go see these guys. They have such an amazing stage presence, and have so much fun on stage that it feels like they are in the crowd partying with you; which just might end up happening … in which case, I suggest you bring your party pants…

Dirty Girls Members include:

Stefan Doke – Guitar
Dennis Tanner – Guitar
Jeremy Fina – Bass/ Vocals
Matt Whitslar – Drums 

For more info., please check out 'Dirty Girls' on Facebook

Special Thanks to Woodlands Tavern

MORE PHOTOS

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ARTIST PROFILES: HOTEL WAR

Written by Raad Shubaily

The White Stripes may have thrown in the towel, but blues-rock has not.  This is exceedingly apparent if you ever find yourself in a bar and Hotel War is in the building.  Before I ever saw the trio, a friend told me “They’re sort of harder, man. Good harder, though.”

I didn’t know how to feel about such a vague statement.  The band I’m in had a gig lined up with Hotel War, so when the night finally came, I took the opportunity to check out their set.  That was not the last time I saw them, and their performance last Friday at the Rumba café won’t be either.

What my friend was trying to say is that they rock hard. Super hard. Building spiraling melodic structures around bluesy, gritty riffs seems to be an area of expertise for them. Think ‘The Black Keys’ meets ‘The White Stripes’ and every band from the 70’s that meant anything at all to rock and roll. Singer Curt Apwisch has the croon of an early Caleb Followill from Kings of Leon, piled on top of mountainous distortion and sweeping guitar riffs.

The EP Hotel War released earlier this year, Rebels Out of Time, provides a great snapshot of their musical direction.  It captures their timeless rock and roll attitude perfectly. The opening lyrics even prove it, with Apwisch singing “I feel wild and crazy / I feel so amazing / wild and young and wasted.”

Hotel War makes a lot of sound for a three-piece, and you won’t soon forget it.  Rebels Out of Time is available on a name-your-own-price basis, and it’s highly recommended by us here at Bustown Music that you do go name your price.  If you’ve ever listened to rock or blues music in your entire life, you will like this band. It’s impossible not to.

 Band Members include:

Curt Apwisch: Vocals & Bass 
Justin Nash: Guitar

Brandon Fisher: Drums

For more on Hotel Wars, please check out  http://www.hotelwar.blogspot.com/

 'Like' Hotel War on Facebook

  

 

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ARTIST PROFILES: THE ALPINE GHOST

Written by Raad Shubaily

In an age where most pop songs are three-minute love songs, there are still those among us who believe in a more engaging musical structure. Alpine Ghost doesn’t simply do what needs to be done and move on.  The first thing that struck me about them were their more complex and entertaining song structures.  Most of the songs on their 6-track EP are well over three minutes, including blissful crescendos and extended solo sections. They’re more like fleshed out compositions rather than the usual short, poppy hit single.

       

There’s a long list of comparisons that can be made to the self-proclaimed jazz rockers. Not only does Jack Menkedick make the sax cool again, but it also inspires similarities to bands like The Zutons and Morphine. 

One person at a recent Alpine Ghost show said they “take ska and obliterate it.”

TAKE A LISTEN!

I personally see a lot of Radiohead in them, and their more aggressive songs can come across like early Modest Mouse tunes. Aggressive is a key word. I’ve never been very interested in harder music, but their faster songs are just a bit punky, not hostile. It’s cool when a band has peaks and valleys at a concert, instead of just playing fast and loud the whole time or quiet and slow. Another aspect of their appeal is their serious musicianship.  Any of the members could solo all day if they needed to. The extended sax and guitar solos are a special treat, as not every band can even provide them. 

             

With an exciting live set and solid recordings, Alpine Ghost is doing it right.  I’ve had their album playing in my car for something like two or three weeks now.   They currently have a number of local performances coming up, and also a trip to Dayton.  While there’s certainly no shortage of gigs, I’m most excited about the next time they release an album. 

Members of The Alpine Ghost include:  

Jack Menkedick (Vocals, Sax, Didgeridoo)
Brandon Paul (Percussion, Keyboards)
Andrew Sais (Guitar, Vocals)
Alex Jewell (Bass)

Check out http://thealpineghost.com/ for more information on The Alpine Ghost 

'Like' The Alpine Ghost on Facebook 

Follow The Alpine Ghost on twitter 

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